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      <image:caption>©Marcia Kure, Network V (Detail) 2026. Large-scale drawing from Network V with a richly layered surface built from charcoal, acrylic, graphite, and subtle traces of gold. Dense, intersecting lines spread across the composition, forming a network of routes, crossings, and clustered marks that suggest movement, circulation, and infrastructure. Areas of deep indigo saturation contrast with lighter, abraded passages, creating a sense of accumulation and erosion over time. The marks produce a dynamic field of connections, evoking glyphs, trade routes, data flows, and systems of exchange. The surface appears worked and reworked, holding traces of pressure, repetition, and material history.</image:caption>
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      <image:title>Studio Notes - Pigment, Extraction, and the Weight of Material - Make it stand out</image:title>
      <image:caption>Right: A close-up view of two kola nut shells. The shell on the left shows natural post-harvest decay, while the shell on the right remains freshly harvested and intact. Despite the deterioration of the outer husk over time, the inner kola nut remains preserved once the shell is removed, underscoring kola nut durability. Image courtesy of Wellcome Collection. Photography by Yaw Afrim Gyebi, 2025. Left: Botanical lithograph of Cola acuminata (kola nut plant), 1906, illustrated by Matilda Smith for Curtis’s Botanical Magazine. The composition presents the plant in scientific detail, with elongated leaves, delicate star-shaped flowers, and segmented pods shown both intact and opened to reveal the seeds within.</image:caption>
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      <image:title>Studio Notes - Pigment, Extraction, and the Weight of Material - Make it stand out</image:title>
      <image:caption>© MARCIA KURE: Sketch for Menil Wall Drawing Commission, 2021</image:caption>
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      <image:caption>Bamana Boli figure, Mali</image:caption>
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