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    <loc>https://www.marciakure.com/studionotes/an-interview-lines-of-resistance-marcia-kure-at-the-venice-biennale</loc>
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      <image:title>Studio Notes - An Interview: Lines of Resistance: Marcia Kure at the Venice Biennale - Make it stand out</image:title>
      <image:caption>Network V:III</image:caption>
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      <image:title>Studio Notes - An Interview: Lines of Resistance: Marcia Kure at the Venice Biennale - Make it stand out</image:title>
      <image:caption>Network V:I</image:caption>
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      <image:title>Studio Notes - An Interview: Lines of Resistance: Marcia Kure at the Venice Biennale - Make it stand out</image:title>
      <image:caption>Network V:III</image:caption>
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      <image:title>Studio Notes - An Interview: Lines of Resistance: Marcia Kure at the Venice Biennale - Make it stand out</image:title>
      <image:caption>Network V: II</image:caption>
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    <loc>https://www.marciakure.com/studionotes/marcia-kure-at-the-61st-la-biennale-darte-di-venezia-in-minor-keys-curated-by-koyo-kouoh-1</loc>
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      <image:title>Studio Notes - Marcia Kure at the 61st La Biennale d'Arte di Venezia: In Minor Keys, Curated by Koyo Kouoh - Make it stand out</image:title>
      <image:caption>Installation View: Network V</image:caption>
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      <image:title>Studio Notes - Marcia Kure at the 61st La Biennale d'Arte di Venezia: In Minor Keys, Curated by Koyo Kouoh - Make it stand out</image:title>
      <image:caption>Installation View: Network V</image:caption>
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    <image:image>
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      <image:title>Studio Notes - Marcia Kure at the 61st La Biennale d'Arte di Venezia: In Minor Keys, Curated by Koyo Kouoh - Make it stand out</image:title>
      <image:caption>Network V:I</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/697d16074a20936c67f37c63/5c8c70eb-0677-4b52-a152-68937fec0245/Marcia_Kure_020_AM_1596_PhotoMarco+Pavan.jpg</image:loc>
      <image:title>Studio Notes - Marcia Kure at the 61st La Biennale d'Arte di Venezia: In Minor Keys, Curated by Koyo Kouoh - Make it stand out</image:title>
      <image:caption>Network V:VI</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/697d16074a20936c67f37c63/16388ce3-7558-477e-94e2-7fefdcb4bdb8/Marcia_Kure_035_AM_1634_PhotoMarco+Pavan.jpg</image:loc>
      <image:title>Studio Notes - Marcia Kure at the 61st La Biennale d'Arte di Venezia: In Minor Keys, Curated by Koyo Kouoh - Make it stand out</image:title>
      <image:caption>Network V: Roadkill II</image:caption>
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  <url>
    <loc>https://www.marciakure.com/studionotes/drawing-writing-and-the-trace</loc>
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    <lastmod>2026-05-18</lastmod>
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      <image:title>Studio Notes - Drawing, Writing, and Trace - Make it stand out</image:title>
      <image:caption>MARCIA KURE, Reticulation, 2022. Collection High Museum of Art, Atlanta</image:caption>
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    <image:image>
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      <image:title>Studio Notes - Drawing, Writing, and Trace - Taabwa Woman, Democratic Republic of Congo</image:title>
      <image:caption>Photographer unknown, courtesy of Allen F. Roberts and the Central Archives of the White Fathers (Missionaries of Our Lady of Africa), Rome. Pitts Rivers Museum Virtual Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/697d16074a20936c67f37c63/be4a2a52-01fc-4719-9a26-195b12d2a1bb/Screen+Shot+2026-05-16+at+2.25.38+PM.png</image:loc>
      <image:title>Studio Notes - Drawing, Writing, and Trace - Make it stand out</image:title>
      <image:caption>Ndop, Bamum, Bamileke artist, 20th century, Hand-woven, indigo, cotton. Collection North Carolina Museum of Art</image:caption>
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    <image:image>
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      <image:title>Studio Notes - Drawing, Writing, and Trace - Make it stand out</image:title>
      <image:caption>Look 36 Alexander McQueen PROCESS pre-autumn/winter 2022 women’s wear collection</image:caption>
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    <lastmod>2026-04-07</lastmod>
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      <image:title>Studio Notes - NETWORK Menil Wall Drawing Commission (2021) - Make it stand out</image:title>
      <image:caption>Marcia Kure, NETWORK 2021, Menil Drawing Institute, Houston, Texas © Photographs: Paul Hester</image:caption>
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      <image:title>Studio Notes - NETWORK Menil Wall Drawing Commission (2021) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/697d16074a20936c67f37c63/3abfdb19-bfd1-42ca-a0d5-a16514edd7a2/Rotation20210920_20210929_2484+%281%29.jpg</image:loc>
      <image:title>Studio Notes - NETWORK Menil Wall Drawing Commission (2021) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/697d16074a20936c67f37c63/6da152a5-f4d5-4fa4-ab09-3f818a9a011b/Rotation20210920_20210929_2592.jpg</image:loc>
      <image:title>Studio Notes - NETWORK Menil Wall Drawing Commission (2021) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/697d16074a20936c67f37c63/8d68c3e4-a353-418d-8070-b4ce8ee19fbd/Rotation20210920_20210929_2522.jpg</image:loc>
      <image:title>Studio Notes - NETWORK Menil Wall Drawing Commission (2021) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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    <loc>https://www.marciakure.com/studionotes/lineafter</loc>
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    <lastmod>2026-03-27</lastmod>
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      <image:title>Studio Notes - Line; After - Make it stand out</image:title>
      <image:caption>©Marcia Kure, Network V (Detail) 2026. Large-scale drawing from Network V with a richly layered surface built from charcoal, acrylic, graphite, and subtle traces of gold. Dense, intersecting lines spread across the composition, forming a network of routes, crossings, and clustered marks that suggest movement, circulation, and infrastructure. Areas of deep indigo saturation contrast with lighter, abraded passages, creating a sense of accumulation and erosion over time. The marks produce a dynamic field of connections, evoking glyphs, trade routes, data flows, and systems of exchange. The surface appears worked and reworked, holding traces of pressure, repetition, and material history.</image:caption>
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    <lastmod>2026-03-27</lastmod>
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      <image:title>Studio Notes - Pigment, Extraction, and the Weight of Material - Make it stand out</image:title>
      <image:caption>Right: A close-up view of two kola nut shells. The shell on the left shows natural post-harvest decay, while the shell on the right remains freshly harvested and intact. Despite the deterioration of the outer husk over time, the inner kola nut remains preserved once the shell is removed, underscoring kola nut durability. Image courtesy of Wellcome Collection. Photography by Yaw Afrim Gyebi, 2025. Left: Botanical lithograph of Cola acuminata (kola nut plant), 1906, illustrated by Matilda Smith for Curtis’s Botanical Magazine. The composition presents the plant in scientific detail, with elongated leaves, delicate star-shaped flowers, and segmented pods shown both intact and opened to reveal the seeds within.</image:caption>
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      <image:title>Studio Notes - Pigment, Extraction, and the Weight of Material - Make it stand out</image:title>
      <image:caption>© MARCIA KURE: Sketch for Menil Wall Drawing Commission, 2021</image:caption>
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    <lastmod>2026-05-18</lastmod>
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    <lastmod>2026-03-31</lastmod>
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    <lastmod>2026-03-03</lastmod>
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      <image:title>Studio Notes - Thinking about Under Skin, 2019 - Make it stand out</image:title>
      <image:caption>Bamana Boli figure, Mali</image:caption>
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